#Instal the new for apple Arturia Acid V upgrade#
#Instal the new for apple Arturia Acid V software#
#Instal the new for apple Arturia Acid V plus#

Both the SQ-80 V and MS-20 V also benefit from other appealing touches shared by their V Collection counterparts, including configurable macro controls and interactive tutorials that do an excellent job of introducing the workflow of each instrument. The improvements are most evident when adjusting and routing modulation though, and it’s the ability to apply the varied polyphonic modulators to the digital oscillators that result in its most inspiring sounds.Īgain, the synth is expanded with a modern, well-equipped arpeggiator and a four-slot effect section similar to that of the MS-20. Here, users get a far more detailed level of up-front control over the three oscillators and the filter. Like its real-world inspiration, its sound can reach from retro early digital tones to a solid range of synthesised pianos, complex pads and edgy, pulsing synth leads.Ĭompared to other synths of the era, the SQ-80 was accessible when it came to programming, but the expanded view of Arturia’s plugin version is still a welcome addition. A lesser-known highlight from the early days of digital synths, the original SQ-80 paired 8-bit digital oscillators with a Curtis-style analogue filter and analogue amp section.Īrturia’s SQ-80 V has been available for a while, but it’s a welcome addition.

#Instal the new for apple Arturia Acid V software#

The other emulation added for V Collection 9 is the SQ-80 V, a software recreation of Ensoniq’s hybrid synthesiser first released in the mid-1980s.

Many already have access to an MS-20, but it’s a worthy addition.

As a synth it has wonderful classic synth FX, drones and percussive tones as well as the more obvious basses and leads. NI’s bundle is broader than the V Collection, with effects and more sampled instruments.Īlthough the MS-20 V is largely pitched at aggressive synth sounds, the MS-20’s semi-modular design has always been far more versatile than it initially appears. Korg’s own emulation bundle also offers an officially branded – and pretty impressive – MS-20. This aside, there’s little to differentiate the core elements of Arturia’s synth from other recreations. It also adds a few extra features, like a simple oscillator sync switch and extra front panel modulation routings. Comparatively, Arturia’s MS-20 feels like it pushes into full-bodied overdriven territory a little more easily than Korg’s software version or the modern hardware recreations. Arturia leans hard into this side of the MS-20’s character in branding, offering up plenty of hard-edged presets to match. The OG MS-20 was known for its ability to sound gritty, thanks to weighty, drivable oscillators and raspy resonant filters. And that’s before we even get to unofficial versions… Since then Korg has released multiple hardware iterations, including desktop and full-sized reissues, all of which come on top of Korg’s own software MS-20, which has been on the market since the early ’00s. Korg’s own hardware reissue, the MS-20 mini, was one of the first significant synths of the affordable analogue revival. The first is a synth that we’re surprised it’s taken Arturia this long to attempt: the Korg MS-20, hardly obscure.

V Collection 9 introduces two new emulated instruments to the package. Let’s tackle the more conventional additions first though.

#Instal the new for apple Arturia Acid V upgrade#

Upgrade prices available, login to an Arturia account to see offers.ĬONTACT: Arturia Buy from Plugin Boutique

#Instal the new for apple Arturia Acid V plus#

KEY FEATURES: Includes 33 software instruments including four new editions and four updates, plus 14 sound packs.